Hyper Studio

tag:blogger.com,1999:blog-53371819008466126622012-02-16T14:56:49.931+08:00Hyper StudioClare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.comBlogger201100tag:blogger.com,1999:blog-5337181900846612662.post-91820191310848857382009-08-10T23:27:00.007+08:002009-08-10T23:51:26.707+08:00[Cloth]Digital Portraits

很有趣的結構衣服.透過3D運算再以2D輸出呈現.衣服的結構性非常強而有利.數字為所使用的布料所拼接而成.Design by Mashallah Design and Linda kostowskiNO419 WolfNO378 SwimmiesNO318 Juki

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-63978438630519724362009-07-01T02:32:00.005+08:002009-07-01T02:41:35.636+08:00[Case]Irina Shaposhnikova ‘Crystallographica’

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-64709820761946213322009-06-15T17:40:00.003+08:002009-06-15T17:45:07.306+08:00[Final Presentation]6/6 Folding Architecture

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-86242507202616517062009-06-15T17:20:00.007+08:002009-06-15T17:40:30.257+08:00[Final Presentation]6/6 Folding Architecture

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-10922084464292095532009-06-15T17:13:00.002+08:002009-06-15T17:19:57.157+08:00[Final Presentation]5/6 Mass Study&Folding Architecture

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-82087325048111377972009-06-15T17:02:00.002+08:002009-06-15T17:13:16.859+08:00[Final Presentation]4/6 Cloth&Pavilion Design

Step08:Fashion Designer: Gareth PughStep09:圍巾製作Step10.1:用紙模嘗試做出兩種不同類型的展覽空間.Step10.2:分析單元形成面狀會成什麼形態.

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-51664349162038560852009-06-15T16:52:00.002+08:002009-06-15T17:01:55.560+08:00[Final Presentation]3/6 Wall Design&Case Study

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-26782258356386365442009-06-15T16:40:00.004+08:002009-06-15T17:13:39.564+08:00[Final Presentation]2/6 Analysis&Wall Design

Step04:利用電腦模擬真實模型的狀態.並透過Animate Form將單元形成漸變的形態.Step05:將Step1的單元原型進行分析,並得到單元的形變比條狀還大.主要是因為單元的向度比條狀形變的向度較多.Step06:在牆面設計的部份,手法較為類似:以複製.鏡射的方式操作.但主要想討論當牆面變成雙層的時候,單元會產生什麼變化.

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-510616873921399972009-06-15T16:24:00.003+08:002009-06-15T16:39:28.465+08:00[Final Presentation]1/6 Textile Design

Step01:利用四個單元原型(折線.直線.方形.曲線)創造四個複製與漸變的單元形態.Step02:將四個單元形態各自進行四種單一動作的形變.(波浪.扭曲.擠壓.折) 小結:1.扭曲使整體形變張力,但是單元的形變卻不大. 2.折使單元的形變較大,並使單元立體化.Step03:將四個單元形態各自進行複雜動作的形變.(動作為前四種) 小結:扭曲+折的動作使整體與單元的形變張力較大.

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-82252891039312318882009-05-27T21:49:00.002+08:002009-05-27T21:57:12.225+08:00Pavilion Design

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-84332747175798816772009-05-19T16:26:00.002+08:002009-05-19T16:34:21.791+08:00[Case]Fashion Designer:Gareth Pugh

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-48660738474291689432009-05-19T16:21:00.002+08:002009-05-19T16:25:33.962+08:00[Case]Pavilion&Textile Design

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-24824439356940256392009-05-19T14:34:00.009+08:002009-06-15T16:21:28.972+08:00[Scarf Design]Structure of Scarf

[STEP1]單元形態[STEP2]使用工具[STEP3]布料分割過程[STEP4]布料分割過程[STEP5]圍巾成品[STEP6]圍巾結構[STEP7]圍巾結構[STEP8]圍巾示意設計理念:打破既有對於衣服的傳統概念,希望衣服本身自有結構性,不再只是人穿上的一塊布料!Step1: 將菱形單元分割成四等分,使單元產生多向性,單元開始產生變化.Step2: 材料:人工皮革.素面帆布.裁切.黏著工具.Step3: 將單元劃在皮革背面.以便進行裁切.Step4: 切割完的單元.都可被利用.Step5: 將切割的單元對齊地貼在帆布上,並完成單元的系統.Step6.7: 單元的結構會隨著不同向度與擠壓的力量形成立體狀態.Step8: 圍巾可多用途使用,如:圍巾.裙子.披肩...

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-73540205305056509292009-05-19T00:51:00.001+08:002009-05-19T00:54:50.132+08:00[Case]AADRL10

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-39904809992465609582009-05-18T23:34:00.004+08:002009-05-19T00:19:25.708+08:00Wall Design

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-52071662418379647162009-03-26T00:47:00.002+08:002009-03-26T00:49:42.289+08:00[Case] Erwin Hauer

60年代就有人在做3D Printer的事情!

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-55925434324881295142009-03-26T00:43:00.000+08:002009-03-26T00:46:45.559+08:00[Case] May Bente Aronsen

May Bente Aronsen是一位研究織理藝術(Textile Art)的挪威藝術家,在2007曾經得過"The Nordic Award in Textiles 2007".她創作的作品其實和我們這階段的設計(Animate form)意義有點相近.其實[織理]並非只是形式上的變化,它比較強調物件交織在一起的秩序性與3度空間感,並且單元本身不是複雜的元件,反而在整體上是以簡單.有秩序的形式呈現,而在細微的部份產生不同形式上的變化.

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-34020202498525326702009-03-26T00:35:00.002+08:002009-03-26T00:42:31.674+08:00Textile Research

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-6360868368558484082009-03-25T23:47:00.007+08:002009-05-19T00:18:24.910+08:00Textile Design

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0tag:blogger.com,1999:blog-5337181900846612662.post-23655357303086393802009-03-24T14:43:00.001+08:002009-03-24T14:46:44.801+08:002009 Spring Hyper-studio

Clare Thttp://www.blogger.com/profile/10410179043429722969noreply@blogger.com0